Best Supporting Actress in a Play
Cecilia Noble, Nine Night
A peach of a role for this most characterful of performers, Noble fits Aunt Maggie so well the part could have been written for her. And as with Nine Night at large, the beauty is in the simultaneous specificity and universality of the character. Though rooted entirely in Jamaican traditions, she’s also the archetype of the opinionated elderly relative that is recognisable no matter where you come from and Noble imbues her with just enough heart to go along with the hilarity.
Honourable mention: Martha Plimpton, Sweat
A late but indisputable arrival, the ferocity with which Plimpton permeates her performance makes an already excellent production into something unmissable. Obviously it helps that she’s an iconic figure from my childhood movie days but seriously, do what you can to see her at the Donmar.
Best Supporting Actress in a Musical
Patti LuPone, Company
A triumphant return to the West End stage for this most iconic of performers whose every mmm-hmm turns another theatregoer into a homosexual. Every time I’ve seen the show, her interpretation of ‘Ladies Who Lunch’ has brought different colours and textures – and check the moment when her eyes pin down Bobbie with “the girls who just watch”. Plus she does furniture-shuffling choreography like a real trouper – a privilege to watch (and watch again).
Honourable mention: Amber Gray, Hadestown
I’d thought LuPone would walk this category but the elemental force with which Gray blew onto the Olivier stage had me in raptures as her every move and utterance had me absolutely gripped. Is there any way we can keep her in the UK or entice her back as soon as possible please.
Naana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary MacLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors