“You are not still, you are not still Thérèse”
There are times when listening to cast recordings can sometimes feel like a chore, and others when they are a glorious reminder of shows gone by. For me, hearing the utterly gorgeous waterfall of voices on ‘You Are Not Still Thérèse’ from Craig Adams’ Thérèse Raquin is very much in the latter category, one of those moments of musical theatre perfection that work as music, as drama, as theatre, as pure art.
Adams and Nona Shepphard’s adaptation of Zola’s novel played at the Finborough in 2014 and then transferred to the larger Park in one of those really sensible moments theatreland sometimes has. Musically complex and dramatically interesting as a radical interpretation of the book, it delved deep into Thérèse’s psychology and aided by a stunning performance from Julie Atherton, worked beautifully.
The score stands up well on disc, its through-sung narrative clear as a bell and really assisted by the introduction of a sonorous Greek chorus of Claire Greenway, Ellie Kirk and Lucy O’Byrne who provide commentary and alternative takes on the tragic events. Atherton connects viscerally with illicit love Laurent, a virile Greg Barnett and contemptuously with husband Jeremy Legat’s Camille to bring real fire to their love triangle and its consequences, the climactic ‘If I Had Known’ is just devastatingly good.
But it’s the combination of them with the complex choral work of the company that really makes this an extraordinary musical, rich and evocative in a way that is all too rarely seen in new musicals, certainly on larger stages, and so it’s a real boon to have this recording to remember the show by and hopefully spearhead a fine set of revivals to come.