“Perhaps he’ll find the words to tell me of his love”
Just a quickie for this as due to an earlier cancelled performance, the only show I could fit into the schedule was this penultimate one. An all-female production of anything is enough to pique the interest, never mind something starring the extraordinary Kathryn Hunter, and this had the added benefit of being a story I’d never actually seen before – Cyrano De Bergerac. That said, the best single-sex productions are the ones that derive something unique from playing it that way and that was singularly lacking here.
Adapted by Glyn Maxwell from Edmond Rostand’s 1897 play, Russell Bolam’s directorial conceit is to have the tale told by nuns (who play a role later on) to a novice of their order. But Bolam makes no other concession and shows no real willingness to delve with any depth into the notions of gender, love, identity, masculinity etc that seem ripe for the picking. And without the star wattage of Hunter’s striking performance, the whole show would likely collapse like a house of cards. The consequence is thus a fatally unbalanced piece of work and worse, a squandered opportunity.