Short Film Review #47

Eclipse Theatre’s 10by10 project was a series of short films “exploding the myth of a homogenised Black British culture”, all directed by Dawn Walton but written by and starring a wide range of some of our most exciting writers and performers. Filmed in 10 different cities across the UK, the hometowns of the playwrights in fact, and each shot in a single day, these make a fascinating insight into a wider cross-section of British society that perhaps is normally seen. Part 1 of 2.

Parking Wars

Representing for South London is Bola Agbaje’s Parking Wars, a short, sharp and ultimately sweet tale of the thing most likely to test religious harmony on a Sunday morning – parking spaces. Richard Pepple’s pastor and Danny Sapani’s imam preach in neighbouring rooms and are united by their annoyance as the sound of car horns and shouting from outside. And out there, is a challenge that would faze any man, no matter his religion – good fun.


Brown Widow

Leah Chillery’s entry for Nottingham is blessed with an exceptionally good performance from Vinette Robinson as the titular Brown Widow, Gee. Beautiful, and she knows it, opinionated, and she isn’t afraid to show it; naturally, she’s not quite everything she seems.

Black Magic

Best known for his enduring role in Holby City, Hugh Quarshie is rather good fun as an avuncular protector who stumbles on a young boy being chased by some bullies down a Leeds back street. Sprinkling some of his voodoo on them to scare ‘em off, he takes the lad home and introduces him to a side of his heritage he’s never known before. Ben Tagoe’s Black Magic may be one of the more slight pieces in this series, it is nevertheless still entertaining.


Written by Akala in verse, North London’s Rage toys cleverly with perceptions of black men in prison as Jimmy Akingbola’s poetic narration from his cell leads us up the wrong path and only slowly do we get to see the full picture as life from the outside – featuring Pippa Bennett-Warner and Michael Maloney – fill in the blanks and hit home hard.


Arzhang Pezhman’s Two-Tone represents Wolverhampton in this enterprise and for the shallow part of me, is one of my favourites featuring as it does both Shane Zaza and Neet Mohan. But it is also one of the better films as it combines comedy and the serious, highly topical subject matter and dramatically-satisfying mystery. Recommended.

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