The Icelandic Vesturport company are well known here for their theatre work – I’ve seen their collaborations on Faust and The Heart of Robin Hood – but they are also film producers, both long and short. The first of their shorts that I caught was Björn Hlynur Haraldsson’s Korriró as it starred two actors I’ve previously seen – Nína Dögg Filippusdóttir and Gísli Örn Garðarsson. Filippusdóttir plays a homeless woman who happens on an open garage door into a luxury home which offers a brief respite from the drudgery of her life. It is beautifully shot and uncompromisingly direct – confronting us all with our attitudes towards the homeless and those from whom we avert our gaze.
The Last Temptation of William Shaw
Described as a promotional trailer for the upcoming feature ‘My Power Animal is the Pigeon” (of which I can find no trace), The Last Temptation of William Shaw has the double whammy benefit of a shirtless Daniel Ings and an animated Ings too. A mixture of live action and animation from Alois Di Leo and Mat Rawlins, it’s only brief but intriguingly effective – I wonder if there’s any future life in the Pigeon.
Gone to the Dogs
Liz Tuccillo’s Gone to the Dogs captures perfectly the most annoying aspects of the anthropomorphisation of having a dog, which seems to be becoming increasingly prevalent in our culture, whilst also managing to remind us of its sheer inconsequentiality. When a latecomer to a dinner party brings along her pooch as a plus one and brings him to the table, the scene is set for some serious debate about how far we’re willing to go for our animals and it is all engagingly good. Great stuff, and the presence of the ever-excellent Martha Plimpton makes it even better.
On paper, I ought to have really liked Bloom – a gentle rom-com in the making with shades of Little Shop of Horrors, but it never really quite manages to hit the mark. Amanda Root’s shy Helen is more than a little surprised when her tidy flat is taken over by marauding greenery and though she has never previously said a word to her neighbour, Richard Hope’s green-fingered Richard, it soon emerges he is her only hope. Emma Scott Robinson’s script doesn’t establish the characters well enough to make us care though and so it passes by amiably enough but never compelling.
A Sunny Morning
Charlie Cox is one of those actors I wish I could see more of, he doesn’t work anywhere near enough for my liking (plus I haven’t gotten round to starting Boardwalk Empire yet) so I was glad to be able to spot him in a couple of shorts. Joseph Proctor’s A Sunny Morning is a simple two hander also starring Sophia Myles as a couple enter the aftermath of an argument with her having decided on something big. Clues are there – a copy of Hedda Gabler is on the nightstand next to her wedding ring – but as she and her husband chat, will her resolve falter? Cox is delightfully handsome as ever in his ruffled way but the film really belongs to Myles and her hugely expressive face, full of subtleties and emotion captured beautifully in Trevor Speed’s cinematography.