Review: Taken – Charged, Soho Theatre

Part of the Charged season at Soho Theatre

“Do you know what you done to me?”

In what was the final play of the first day for me, Winsome Pinnock’s Taken looks at how three generations of a family are each affected by the decision to give up a child. Fresh out of rehab and coming to terms with the damage she caused as a drug addict, Della has returned to her mother’s council flat to help care and clean for her as she is struggling to manage on her own. When she is paid a visit by a young woman claiming to be the daughter she gave up, she is forced to confront the painful realities of her decision.

Beatie Edney was very good as Della, the woman barely able to acknowledge that she was so deep in her addiction that she can’t really recognise whether it really is the daughter she gave up. Rebecca Oldfield uses a manipulative edginess well as the could-be daughter and Janet Henfrey is painfully moving as Nane Nola, suffering from some dementia-like affliction but still able to have moments of startling revelatory acuity that pierce to the truth of what really happened.

Caroline Steinbeis’ direction controlled the release of information well and used the limited space, packed with boxes, extremely effectively, suggesting the claustrophobia that accompanies facing difficult truths.

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