Joseph and his Amazing Technicolour Dreamcoat is a show that has a special place in my heart: I’ve sung in primary school productions, played the piano for high school productions and seen it countless times so I struggle to see how other people can actually have gotten through life without seeing it at least once! And when I find people in my life who have escaped it thus far, I do try my best to drag them along, the regular changing of its lead star meaning that there’s something new and different for me as well.
Currently wearing the Dreamcoat is former Steps star H, otherwise known as Ian Watkins, who takes the lead role in Bill Kenwright’s production which is currently residing at the New London Theatre. Watkins transfers much of his chirpy pop persona to the stage very well, strong and secure in his singing but managing a commanding leading man presence too, engaging well with the audience but reining in the excesses to ensure we have the requisite emotion too.
There’s enthusiastic support from the ensemble especially Vivienne Carlyle as a clear-voiced narrator, but the company is too small to be really effective as a proper West End musical in a big theatre: there’s noticeable doubling up even within the brothers, there aren’t enough women to balance out the sound, being so familiar with the score I wasn’t keen on the changes that have been made to accommodate this with a loss of many solos and all in all, it just doesn’t feel value for money.
To be frank, the production looks cheap and shoddy, and doesn’t quite make enough of its homespun virtues to be able to get away with it. This is exacerbated by the endless encores, repeated songs and megamixes that make up the finale of the show which goes on well beyond tolerable levels: I don’t think people mind a short show as long as they have been entertained, and padding it out in this way simply highlights the uncertainty of the producers that there is actually enough here to satisfy.
So a big disappointment for me: this feels like a show that is resting on its laurels somewhat and relying on its reputation and the familiarity that so much of the audience will have with so many of the songs. It simply doesn’t make enough effort to reinvigorate the material despite the best efforts of Watkins and the rest of the cast.