Tell Me On A Sunday is a funny beast, not quite a full musical, more of a song cycle as it has now been divested of its other dance-based half in its original form as Song & Dance to create this vehicle for Denise Van Outen. Andrew Lloyd Webber’s music and Don Black’s lyrics have now been blessed with updated new material from comedian Jackie Clune, showing that broken hearts and disappointments are still just as easy to come by, if not more so, in the 21st century.
Our leading lady is a girl from Ilford who, when she discovers her boyfriend is cheating on her, relocates to New York for a fresh start and a whole new set of men to be unlucky in love with as time and time again, she find the perfect guy, tells everyone back home about him and then it goes pear-shaped. The set is on a revolve with an ever-changing set of props that evoke the range of locations, helped by projections onto the walls, as we move from England to the USA, from date to date, from New York to LA. It fills the stage well, but there is the ever-present nagging sense that the material here is paper-thin. There’s no real attempt to make its leading lady anything more than a dumb blonde, or show any real depth to her, any sense of her learning from her mistakes. Like the Duracell bunny, she just gets back up and keeps on going same as before.
Consequently it needs star quality to deliver it some weight and fortunately Van Outen rises to the challenge in a star-making performance. Vocally, she is strong at everything: the anger of Let’s Talk About You, the tenderness of Come Back With The Same Look, the playfulness of Capped Teeth and Caesar Salad and best of all, a hushed version of Unexpected Song which is probably the loveliest thing I have heard all year. She really controls the stage well though, taking us through the ups and downs and more downs of her romantic life and remaining utterly convincing throughout. She really sells the whole damn thing and deserved the wild reception when the curtain finally came down.
So can I recommend this to people? I am really not sure. If you like Lloyd-Webber’s stuff and/or Denise Van Outen, then this will be perfect for you as it involves someone at the top of her game delivering the goods superbly. For casual viewers though it might be too much of an ask and at these ticket prices, it is too slight and insubstantial a piece to justify what they are charging, no matter the quality.